Gee's Bend Quilts Prints - Souls Grown Deep Custom Prints | Custom Prints and Framing From the Souls Grown Deep - prints.soulsgrowndeep.org

HomeCollectionGee's Bend Quilts

Holiday Shipping Schedule

View All Images

Artists

Subjects

Featured Categories

Collection

Gee's Bend Quilts

Refine by subject

Abstract

Abstract Florals

Historical

Maps

Typography

Signs

Gee's Bend Quilts

138 Items Found | Page 2 of 6

Mary L. Bennett - "Housetop"—Four-Block Variation (detail), c. 1965

Mary L. Bennett
"Housetop"—Four-Block Variation (detail), c. 1965

Lottie Mooney - "Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Lottie Mooney
"Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Lucy Mingo - Blocks and strips work-clothes quilt, 1959

Lucy Mingo
Blocks and strips work-clothes quilt, 1959

Nellie Mae Abrams - "Housetop" (detail), c. 1970

Nellie Mae Abrams
"Housetop" (detail), c. 1970

Loretta Pettway - "Roman Stripes" variation (local name: Crazy Quilt) (detail), 1970

Loretta Pettway
"Roman Stripes" variation (local name: Crazy Quilt) (detail), 1970

Martha Pettway - "Half Squares" (close-up detail 4), 1930s

Martha Pettway
"Half Squares" (close-up detail 4), 1930s

Lucy T. Pettway - Center medallion—"Monkey Wrench" single-block variation (detail), c. 1945

Lucy T. Pettway
Center medallion—"Monkey Wrench" single-block variation (detail), c. 1945

Mary Lee Bendolph - "Housetop" variation, 1998

Mary Lee Bendolph
"Housetop" variation, 1998

Jessie T. Pettway - Bars and string-pieced columns, 1950s

Jessie T. Pettway
Bars and string-pieced columns, 1950s

$Rita Mae Pettway - "Housetop"—fractured medallion variation (detail), 1977$

Rita Mae Pettway
"Housetop"—fractured medallion variation (detail), 1977

Annie Bendolph - "Wild Goose Chase" variation with "Flying Geese" border, c. 1930

Annie Bendolph
"Wild Goose Chase" variation with "Flying Geese" border, c. 1930

Mary Lee Bendolph - Strips and Strings, 2003

Mary Lee Bendolph
Strips and Strings, 2003

Martha Jane Pettway - "Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Martha Jane Pettway
"Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Rachel Carey George - "Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks (detail), c. 1935

Rachel Carey George
"Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks (detail), c. 1935

Lucy T. Pettway - Blazing Star (quiltmaker's name) with "Pinwheel" corner blocks (detail), 1968

Lucy T. Pettway
Blazing Star (quiltmaker's name) with "Pinwheel" corner blocks (detail), 1968

Lucy T. Pettway - "Drunkard's Path" four-block variation (quiltmaker's name: Devil's Walking Stick) (detail), c. 1945

Lucy T. Pettway
"Drunkard's Path" four-block variation (quiltmaker's name: Devil's Walking Stick) (detail), c. 1945

Loretta Pettway - "Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation (detail), c. 1970

Loretta Pettway
"Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation (detail), c. 1970

Mary Lee Bendolph - Blocks, strips, strings, and half squares, 2005

Mary Lee Bendolph
Blocks, strips, strings, and half squares, 2005

Lucy T. Pettway - Center medallion—"Monkey Wrench" single-block variation, c. 1945

Lucy T. Pettway
Center medallion—"Monkey Wrench" single-block variation, c. 1945

Qunnie Pettway - "Bricklayer" variation, 1975

Qunnie Pettway
"Bricklayer" variation, 1975

Lottie Mooney - "Housetop"—four-block "Half-Log Cabin" variation, c. 1940

Lottie Mooney
"Housetop"—four-block "Half-Log Cabin" variation, c. 1940

Lola Pettway - "Housetop"— eight-block variation (detail), c. 1975

Lola Pettway
"Housetop"— eight-block variation (detail), c. 1975

Mary Lee Bendolph - Work-clothes quilt (detail), 2002

Mary Lee Bendolph
Work-clothes quilt (detail), 2002

Magdalene Wilson - "Broken Star" variation (close-up detail), c. 1925

Magdalene Wilson
"Broken Star" variation (close-up detail), c. 1925

1
2
3
…
5
6

SOULS GROWN DEEP FOUNDATION

Souls Grown Deep advocates the inclusion of Black artists from the South in the canon of American art history and fosters economic empowerment, racial and social justice, and educational advancement in the communities that gave rise to these artists.

Print Store

Follow Us