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Rachel Carey George

"Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks, c. 1935

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About the Artwork

Rachel Carey George (1908–2011), "Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks, c. 1935

Cotton sacking material and dress fabric, 86 x 86 in.; Museum of Fine Arts, Boston, Museum purchase and gift of the Souls Grown Deep Foundation

The most popular pattern in Gee’s Bend, the “Housetop," begins with a central solid medallion of cloth around which rectangular strips are joined, long end to short, creating a frame around the center motif, a square within a square. Here, Rachel Carey George quarters the squares, adding a lyrical whimsy to this otherwise traditional quilt. Made in the midst of the Great Depression, a time in history when Gee’s Bend's Wilcox County was one of the poorest in the country, the practical employment of pieces of any fabric handy becomes particularly poignant when those scraps come from empty feed sacks. Created on the cusp of Alabama's transition from a predominantly agricultural society to an industrialized one, this quilt materially and metaphorically maps the declining agricultural lifestyle of which George was once a part.

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Souls Grown Deep Custom Prints offers custom reproductions of artworks by Souls Grown Deep artists. Hand-made in the USA using gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.

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