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Here the focus is on the inherent design elements and abstract imagery in the quilts rather than as finished objects.

89 Items Found | Page 1 of 4

Lottie Mooney - "Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Lottie Mooney
"Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Martha Pettway - "Housetop"—"Half-Log Cabin" variation (detail), 1930s

Martha Pettway
"Housetop"—"Half-Log Cabin" variation (detail), 1930s

Martha Pettway - Housetop—"Half-Log Cabin" variation (detail), 1930s

Martha Pettway
Housetop—"Half-Log Cabin" variation (detail), 1930s

Martha Jane Pettway - Blocks and strips work-clothes quilt (detail), 1920s

Martha Jane Pettway
Blocks and strips work-clothes quilt (detail), 1920s

Martha Jane Pettway - "Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Martha Jane Pettway
"Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Aolar Mosely - "Housetop"—"Half-Log Cabin" variation (detail), c. 1950

Aolar Mosely
"Housetop"—"Half-Log Cabin" variation (detail), c. 1950

Mary Lee Bendolph - Blocks and strips (detail), 2002

Mary Lee Bendolph
Blocks and strips (detail), 2002

Delia Bennett - "Housetop"—Fractured-Medallion variation (detail), c. 1955

Delia Bennett
"Housetop"—Fractured-Medallion variation (detail), c. 1955

Lola Pettway - "Housetop"— eight-block variation (detail), c. 1975

Lola Pettway
"Housetop"— eight-block variation (detail), c. 1975

Loretta Pettway - "Roman Stripes" variation (local name: Crazy Quilt) (detail), 1970

Loretta Pettway
"Roman Stripes" variation (local name: Crazy Quilt) (detail), 1970

$Rita Mae Pettway - "Housetop"—fractured medallion variation (detail), 1977$

Rita Mae Pettway
"Housetop"—fractured medallion variation (detail), 1977

Rachel Carey George - "Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks (detail), c. 1935

Rachel Carey George
"Housetop"—sixteen-block "Half-Log Cabin" variation sashed with feed sacks (detail), c. 1935

Mary L. Bennett - "Housetop"—Four-Block Variation (detail), c. 1965

Mary L. Bennett
"Housetop"—Four-Block Variation (detail), c. 1965

Lucy T. Pettway - Center medallion—"Monkey Wrench" single-block variation (detail), c. 1945

Lucy T. Pettway
Center medallion—"Monkey Wrench" single-block variation (detail), c. 1945

Loretta Pettway - "Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation (detail), c. 1970

Loretta Pettway
"Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation (detail), c. 1970

Mary Lee Bendolph - Work-clothes quilt (detail), 2002

Mary Lee Bendolph
Work-clothes quilt (detail), 2002

Martha Jane Pettway - Center Medallion with cornerstones (detail), 1920s

Martha Jane Pettway
Center Medallion with cornerstones (detail), 1920s

Nellie Mae Abrams - "Housetop" (detail), c. 1970

Nellie Mae Abrams
"Housetop" (detail), c. 1970

Lucy Mingo - Blocks and strips work-clothes quilt (detail), 1959

Lucy Mingo
Blocks and strips work-clothes quilt (detail), 1959

Lucy T. Pettway - "Drunkard's Path" four-block variation (quiltmaker's name: Devil's Walking Stick) (detail), c. 1945

Lucy T. Pettway
"Drunkard's Path" four-block variation (quiltmaker's name: Devil's Walking Stick) (detail), c. 1945

Magdalene Wilson - "Broken Star" variation (close-up detail), c. 1925

Magdalene Wilson
"Broken Star" variation (close-up detail), c. 1925

Lucy T. Pettway - "Housetop" and "Bricklayer" blocks with bars (detail), c. 1955

Lucy T. Pettway
"Housetop" and "Bricklayer" blocks with bars (detail), c. 1955

Loretta Pettway - Medallion (detail), c. 1960

Loretta Pettway
Medallion (detail), c. 1960

Martha Pettway - "Half Squares" (close-up detail 4), 1930s

Martha Pettway
"Half Squares" (close-up detail 4), 1930s

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SOULS GROWN DEEP FOUNDATION

Souls Grown Deep advocates the inclusion of Black artists from the South in the canon of American art history and fosters economic empowerment, racial and social justice, and educational advancement in the communities that gave rise to these artists.

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