Loretta Pettway (b. 1942), Log Cabin—single block; "Courthouse Steps" variation (local name: "Bricklayer"), 1960s
Cotton, muslin, corduroy, 81 × 70 in.; Souls Grown Deep Foundation
As a teenager, Loretta Pettway gravitated toward the "Bricklayer" pattern, popular among her relatives and neighbors in Pettway. “I always did like the 'Bricklayer' best. I saw Plummer T.'s ‘Bricklayer’ coming up. Them's probably the first I remember. After I married, I was living over past where Nazareth Major live now, in a wood house with no windows, only wooden shutters, over where Nazareth mama Arie Pettway stayed. Arie, she made ‘Bricklayers’ from the start. I used to walk to Nettie Jane Kennedy across the road, quilt with her. Back in that time I done some of everything. Later on, I went to mostly the ‘Bricklayer.’ My grandmother Prissy, she raised me. She was a Carson. Her and her sisters Louella [Pettway] and Aolar [Mosely], they made "Bricklayer" quilts. So did Aunt Candis [Pettway]. I remember that from when I live with her some when I was little. I was a hardworking woman. My husband, Walter, he worked at Henry Brick and he brought home two picture boards of bricks. I liked them and tried to copy them. I always did like a ‘Bricklayer.’ It made me think about what I wanted. Always did want a brick house.”
In her youth, Loretta Pettway (b. 1942) had many Pettway quiltmaking mentors—including Missouri, Louella, Qunnie, grandmother Prissy, and stepmother Plummer T.—but she has kept to herself artistically throughout her adult life. Although she disliked sewing as a child, she pieced her first quilt with her grandmother’s encouragement when she was eleven. Her earliest surviving quilts are made of everyday clothing, especially men's work clothes.
As a teenager, Pettway gravitated toward the "Bricklayer" pattern, popular among her relatives and neighbors in Pettway.
My husband, Walter, he worked at Henry Brick and he brought home two picture boards of bricks. I liked them and tried to copy them. I always did like a ‘Bricklayer.’ It made me think about what I wanted. Always did want a brick house.
In 2006, two of Pettway’s quilts appeared on U.S. postage stamps as part of the American Treasures series. In 2015, she received a National Heritage Fellowship awarded by the National Endowment for the Arts, the United States government's highest honor in the folk and traditional arts. Her work is held in numerous permanent collections, including The Metropolitan Museum of Art, the Fine Arts Museums of San Francisco, The Philadelphia Museum of Art, and The Studio Museum in Harlem.
Learn more about Loretta Pettway here.
