Loretta Pettway Bennett (b. 1960), Remembering Dinah, 2024-25
Denim, corduroy, and cotton, 72 × 88 in.; Collection of Loretta Pettway Bennett for Remembering Dinah
Loretta Pettway Bennett
Lucy Ann Pettway
Lucy Lee Witherspoon
Gloria Hoppins
Debbie Major
Caroline Williams
Sally Mae Mixon
Edwina Pettway
Joeann Pettway West
Lonzette Pettway
Sarah Pearl Pettway
Jackie Pettway
Clara Mae Pettway
Collection of Loretta Pettway Bennett
Organized by Loretta Pettway Bennett following a visit to Africatown Heritage House in Mobile, Alabama, this quilt was created by a group of living descendants of Dinah Miller, the earliest known quiltmaker in Gee’s Bend. It is a powerful testament to Dinah’s enduring legacy and the strength of the area’s quiltmaking tradition. With each artist contributing at least one unique quilt block, it also serves as a visual primer on the diverse quiltmaking styles of Gee’s Bend.
About the Artists
This quilt was made by a group of thirteen descendants of Dinah Miller, the progenitor of at least seven generations of quiltmakers. It was organized and quilted together by Loretta Pettway Bennett, Dinah’s great-great granddaughter. Learn more about Loretta Pettway Bennett here.
Like most girls in Gee’s Bend, Loretta Pettway Bennett learned to quilt from the women around her. Creating quilts was so essential to the women of her family that she says, “It was implanted in my genes.” She was married at eighteen and moved with her husband to Germany for the first of three tours with the armed forces there. Over the years, between her travels and raising her children, she made some baby quilts and a full-sized quilt or two, and most ambitiously, after a trip back to Gee’s Bend, a “Wedding Ring” quilt that took her three years to complete. The Quilts of Gee’s Bend exhibition was something of a born-again experience for her. After seeing it at the Museum of Fine Arts, Houston, in 2002, “My eyes were opened,” she remembers. She began to wonder whether she, too, could make a quilt that might someday hang on the wall of a museum.
Between 2003 and 2006, Bennett made approximately twenty-five quilts and frequently collaborated with her mother, Qunnie Pettway. They are informed by her travels. It was always the colors she noticed—the dour monochrome of German winters or the displays of red and green chili peppers and the bright yellow, orange, pink and purple clothes and cars in Mexico.
Bennett frequently draws her patterns first on paper and colors them with crayons. She then pieces the patterns into quilts with old clothes she gathers from family and friends or scavenges in thrift shops, continuing the Gee’s Bend ethos of creative reuse.
Loretta Pettway Bennett’s work is in the permanent collections of the Studio Museum in Harlem and the Legacy Museum.
Learn more about Loretta Pettway Bennett here.
