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Gee's Bend Quilts

161 Items Found | Page 1 of 7

Nellie Mae Abrams - "Housetop," c. 1970

Nellie Mae Abrams
"Housetop," c. 1970

$Rita Mae Pettway - "Housetop"—fractured medallion variation, 1977$

Rita Mae Pettway
"Housetop"—fractured medallion variation, 1977

Martha Jane Pettway - Blocks and strips work-clothes quilt, 1920s

Martha Jane Pettway
Blocks and strips work-clothes quilt, 1920s

Jessie T. Pettway - Bars and string-pieced columns, 1950s

Jessie T. Pettway
Bars and string-pieced columns, 1950s

Willie "Ma Willie" Abrams - "Roman Stripes" variation, c. 1975

Willie "Ma Willie" Abrams
"Roman Stripes" variation, c. 1975

Martha Pettway - "Housetop"—"Half-Log Cabin" variation, 1930s

Martha Pettway
"Housetop"—"Half-Log Cabin" variation, 1930s

Sue Willie Seltzer - "Housetop"—nine-block "Half-Log Cabin" variation, c. 1955

Sue Willie Seltzer
"Housetop"—nine-block "Half-Log Cabin" variation, c. 1955

Lottie Mooney - "Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Lottie Mooney
"Housetop"—four-block "Half-Log Cabin" variation (detail), c. 1940

Aolar Mosely - "Housetop"—"Half-Log Cabin" variation, c. 1950

Aolar Mosely
"Housetop"—"Half-Log Cabin" variation, c. 1950

Mary L. Bennett - "Housetop"—Four-Block Variation, c. 1965

Mary L. Bennett
"Housetop"—Four-Block Variation, c. 1965

Martha Jane Pettway - "Housetop"—nine-block "Half-Log Cabin" variation, c. 1945

Martha Jane Pettway
"Housetop"—nine-block "Half-Log Cabin" variation, c. 1945

Mary Lee Bendolph - Work-clothes quilt, 2002

Mary Lee Bendolph
Work-clothes quilt, 2002

Lucy T. Pettway - "Housetop"—single-block "Half-Log Cabin" variation (quiltmaker's name: Plow Point), c. 1945

Lucy T. Pettway
"Housetop"—single-block "Half-Log Cabin" variation (quiltmaker's name: Plow Point), c. 1945

Loretta Pettway - "Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation, c. 1970

Loretta Pettway
"Log Cabin"—"Courthouse Steps" (Local Name: "Bricklayer") single-block variation, c. 1970

Aolar Mosely - "Housetop"—"Half-Log Cabin" variation (detail), c. 1950

Aolar Mosely
"Housetop"—"Half-Log Cabin" variation (detail), c. 1950

Martha Jane Pettway - Blocks and strips work-clothes quilt (detail), 1920s

Martha Jane Pettway
Blocks and strips work-clothes quilt (detail), 1920s

Annie Bendolph - "Wild Goose Chase" variation with "Flying Geese" border, c. 1930

Annie Bendolph
"Wild Goose Chase" variation with "Flying Geese" border, c. 1930

Martha Pettway - "Housetop"—"Half-Log Cabin" variation (detail), 1930s

Martha Pettway
"Housetop"—"Half-Log Cabin" variation (detail), 1930s

Qunnie Pettway - "Bricklayer" variation, 1975

Qunnie Pettway
"Bricklayer" variation, 1975

Martha Jane Pettway - "Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Martha Jane Pettway
"Housetop"—nine-block "Half-Log Cabin" variation (detail), c. 1945

Martha Pettway - Housetop—"Half-Log Cabin" variation (detail), 1930s

Martha Pettway
Housetop—"Half-Log Cabin" variation (detail), 1930s

Delia Bennett - "Housetop"—Fractured-Medallion variation, c. 1955

Delia Bennett
"Housetop"—Fractured-Medallion variation, c. 1955

Lucy T. Pettway - "Bricklayer," 1960s

Lucy T. Pettway
"Bricklayer," 1960s

Mary Lee Bendolph - Blocks and strips, 2002

Mary Lee Bendolph
Blocks and strips, 2002

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SOULS GROWN DEEP

Souls Grown Deep (SGD) advocates the artistic recognition and empowerment of Black artists from the American South, promoting visibility, scholarship, and education about their contributions to art history and fostering economic development and racial and social justice in the communities that gave rise to these artists. Founded in 2010, the organization derives its name from a 1921 poem by Langston Hughes (1901-67) titled "The Negro Speaks of Rivers," the last line of which is "My soul has grown deep like the rivers.”

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